Adjirakor, Nikitta Dede. 2022. Funding Popular Culture in Tanzania: Crowdfunding, Self-funding and the Live Performance as Fundraiser. Routledge Handbook of African Popular Culture. pp, 222-236. London: Routledge. 

Journal Articles

Adjirakor, Nikitta Dede. 2021. “The Vibe is Really Important: Experiencing Hip-hop and Performance Poetry in Dar es Salaam.Eastern African Literary and Cultural Studies. 7(4), 245-257.

Adjirakor, Nikitta Dede. 2021. “Fieldwork as Decolonising African Literary Studies: Researching Tanzanian Hip-hop and Spoken Word Poetry as a Ghanaian.” University of Bayreuth African Studies Working Papers, BIGSASworks!. 27(10): 40-54.

Adjirakor, Nikitta Dede. 2020. “Represent 255: Language, Style and the Construction of Identity in Tanzanian English Hip-hop. Linguistics Vanguard. 6(4): 1-7.

Adjirakor, Nikitta Dede. 2017. “Constructing the African City through Hip-hop in ‘Nai ni ya who?’ by Muthoni the Drummer Queen“. Research in African Literatures 48 (1): 116-134.


Book Chapter

Adjirakor, Nikitta Dede. 2022. “Funding Popular Culture in Tanzania: Crowdfunding, Self-funding and the Live Performance as Fundraiser.Routledge Handbook of African Popular Culture. Edited by Grace Musila. pp, 222-236. London: Routledge.


Complete Issue of a Journal

Adjirakor, Nikitta;  Ajayi, Oladapo; Diman, Hanza; Yuan Mingqing. (eds.) 2021. Fieldwork Experiences and Practices in Africa. University of Bayreuth African Studies Working Papers 27, BIGSASworks 10! Bayreuth: Institute of African Studies.